Thursday, December 31, 2009

Greatest Songs of the Decade

While for movies and TV, I did the “best of”, for songs, I’m going to do “greatest of.”  These are not necessarily my favorite songs (although my tastes and preferences definitely shine through) but rather the songs which for one reason or another I consider to be the greatest.  Hopefully, my explanation for each song will make the distinction more clear.


I could have tried to rank them in order, but instead, I’ll just list them alphabetically by title.


Crazy in Love – Beyonce featuring Jay-Z


Beyonce was possibly the biggest star of the decade.  Basically, if you heard a new pop song with a female singer, there was a 50-50 chance it featured Beyonce or Destiny’s Child.  This song may have been her best work, and even utilized Jay-Z well for his rap verse.  Jay was also a big star this decade, but yet I didn’t include any of his solo work, because I don’t feel he’s as good as he thinks he is.  And I really hate “Empire State of Mind.”  So screw Jay-Z.  He only makes it on Beyonce’s coattails.



Gold Digger by Kanye West


2009 was not a great year for Kanye with the whole Taylor Swift thing (and the fact that he thinks he can sing), but the decade as a whole was pretty solid for him.  He had already made himself into a big name, but in 2005 when Gold Digger came out, he became a mega star.  Between the clever lyrics, and the backing by Jamie Foxx, the song is catchy as hell, and might be the best rap song of the decade.  It was also involved in one of my favorite moments of the decade when BGR, the Blondness and I started doing a surprisingly good freestyle of it one night.



Hey Ya! by Outkast


I debated back and forth whether I should go with Hey Ya! or Ms. Jackson.  I much prefer Ms. Jackson, but according to my criteria, Hey Ya! was the “greater” song.  For whatever reason, mainstream America fell in love with this song.  Evidence of this was when SportsCenter anchors started using the song in their references.  I believe that part of the reason for its success is that many people who wouldn’t normally listen to rap songs want to talk about a rap song they enjoy so as to appear diverse or worldly.  That’s fine, except that Hey Ya! isn’t really a rap song.  It’s an energetic pop song by a rapper, but it’s hard to call it an actual rap song.  Regardless, it became a huge hit.  Still, Ms. Jackson was definitely the group’s best work of the decade.



In Da Club – 50 Cent


The top of the list has been a bit rap-centric (even though Hey Ya! isn’t really a rap song) but it would be hard for me to exclude this song.  Sure, 50 Cent might not be the most talented guy alive.  Sure, his songs may be the result of great production by Dr. Dre.  But man, this song has such a great beat.  A decade from now, when the next generation of musical artists sample modern songs, I’m sure this one will be used quite often.  And who among us hasn’t gotten “Go shorty, it’s ya birthday” stuck in our heads at one point or another?



Last Resort – Papa Roach


As the decade began, the genre referred to as rap rock was hugely popular, and as a result, we had a lot of “angry white boy music.”  Last Resort was probably the best of the bunch.  I remember that because of this song, everyone was ready to declare Papa Roach the next big thing.  That was until people listened to the rest of the album which really kind of sucked.  They’ve had a few moderate hits since then, but nothing compared to the hype they were getting.  As for this song, it’s got some badass guitar, and the video had cool morphing effects, so it makes the list.



Lose Yourself – Eminem


Eminem has been one of the best selling artists of the decade which is a bit shocking really.  Not that he isn’t talented, but I’m just surprised he’s appealed to mainstream America that much.  He’s had a lot of hits this decade (and a lot of misses too – we get it, you don’t like your mother and ex-wife, you can stop rapping about it) and this song from the 8 Mile soundtrack was probably his best work.


Speaking of 8 Mile, everyone is shocked when I tell them that I didn’t like it.  I’m sorry, but it just wasn’t a good movie.  Are we supposed to feel happy because he wins a rap battle at the end?  Guess what, his life still sucks! 



Rock Your Body – Justin Timberlake


JT had a great decade.  He went from being “the gay one” in N’Sync to perhaps the biggest pop star in the country.  Even more impressive is that he was able to get men to openly admit that they were fans of his.  Most guys would normally hate someone with this profile: A metrosexual former boy band member, who consistently gets hot women.  Yet, JT still won everyone over by doing the following:


He got revenge on Britney Spears by writing a great “F You” song in “Cry Me a River.”  He consistently put out catchy hits that had guys saying: “This is pretty good, who sings this?  Justin Timberlake?  Really?”  He brought us one of the funniest videos of the decade in “D*** in a Box.” (Side note: I was considering putting either that song or Lazy Sunday on this list, but ultimately decided that since they were more parodies, and need the accompanying videos for their full effect they fell a bit short of qualifying) And finally, he provided us with one of the most memorable moments of the decade.


The first TV broadcast I ever watched in high def was the 2005 Super Bowl. (It may have had a great second half, but the first half of that game sucked by the way)  As halftime approach there was a debate whether we should watch the official halftime show or switch to something else.  We stuck with the official halftime show, and were rewarded by seeing JT and Janet Jackson perform “Rock Your Body” which concluded with the infamous wardrobe malfunction.


Sadly, this incident changed TV for the worse, since there’s now more censorship on TV and they can only get over-the-hill acts to do the Super Bowl halftime (The Who?  Really???)  Regardless, this song had a huge impact on America, and because of that, it makes the list.



This Love – Maroon 5


I heard someone once describe this song as “the perfect radio song.”  It’s hard to argue with that.  If someone had been in a coma for the past ten years, and I played them a sample of 100 songs from the decade, and asked them to choose the one that they thought was a big radio hit, I think that “This Love” would probably be their choice.  (By the way, if anyone knows somebody who just woke up from a ten year coma, can you try this out, because honestly, I’m a bit curious)  Sure, M5 may have gone on to make some hideous songs since then, but they somehow achevied greatness with “This Love.”



Umbrella – Rihanna


Remember how I said there was a 50-50 chance that any pop song from this decade with a female singer had Beyonce on it?  Well, in the second half of the decade, if it wasn’t Beyonce, it was definitely Rihanna.  Umbrella absolutely owned 2007.  It was playing everywhere, and everyone was singing it.  Even to this day whenever it’s raining and you grab your umbrella, doesn’t this song go through your head?  Or if anyone ever says the word umbrella, don’t you find it difficult not to echo “ella-ella” after it?  And crap, this song features Jay-Z too.  Guess he kind of makes the list twice then.



Yeah! – Usher


In 2004, I think a law was passed somewhere that radio stations or DJs couldn’t go more than three songs without playing this song.  When I went on a post-college Spring Break in 2004, this song was everywhere.  And yet, any time it played, people still went nuts.  This song of course gave Lil’ Jon his fifteen minutes of fame with his screams of “Yeah!” and “Okay!”


One word of warning: Never try to sing this song at karaoke with Squinty.  He won’t perform it very well.



So that wraps up my Best of the Decade series.  Looking back, I’m not sure what I thought of the decade as a whole.  After graduating from college in 2000, I did not handle the transition into post-college life particularly well, so the early years were a bit rough.


But the decade improved as it went on, and there were definitely some good moments.  My wedding day was easily the best day of the decade (We got to go to the Action Figure Super Store!) and after years of my teams disappointing me, I finally got to watch the Phillies win a championship.  Sadly, despite a couple of flip cup wins, I haven’t been able to win a championship in anything myself.  Hopefully, I can do something about that soon, but unfortunately, I think I’m running out of opportunities.  Maybe one of my winter kickball teams can finally win it all.


Coincidentally, once again as the decade turns, my life has reached a major changing point.  1990 pretty much marked the onset of adolesence, and 2000 marked the beginning of adulthood.  Now, as the decade ends, I’m married, have a good job, and own a condo.  It shows just how much things can change on you, and I can be pretty sure that 2010 is going to be a huge paradigm shift for me as well.


At some point in the next few days, I suppose I’ll do a year in review post and even hand out the 2009 Cutter Awards.  Until then, happy new year and happy new decade!



[Via http://thecutterrambles.wordpress.com]


Wednesday, December 30, 2009

Andre DeVeaux's Most Influential Artists Of the Noughties

So throughout these last ten years, we have had certain artists come and go and some that stood the test of time, either way there are those that made a massive impact on the Noughties with either there catchy rhymes & hooks , popular beats & dance breaks or sleek & expensive music videos. These are the are the most influential artists for me that set trends and made the biggest impact on their genres in the Noughties. Lets Begin


50 Cent
50centsgetrichordietryin.jpg image by kateadelle
Mary J Blige


Gwen Stefani


Eve


Pink


Beyonce

Beyonce-DangerouslyInLove-Front.jpg image by MAAT74


Britney Spears


Jennifer Lopez


Ja Rule


Pussycat Dolls


Rihanna


Janet Jackson


Madonna


Eminem


Usher


Missy Elliott


Timbaland


Kelis


Ashanti


Lil Kim


Justin Timberlake


Chris Brown


B2K


Diddy


R. Kelly


Ciara


Black Eyed Peas


Girls Aloud


Sugababes


Destiny’s Child

Mariah Carey


Aaliyah



[Via http://andredeveaux.wordpress.com]


Tuesday, December 29, 2009

End of Year - Who Had The Best 2009?


Did you have a good year? I feel like I did, but I can’t really compete with the following 10 people. We thought it would be fun to make a list of who we felt had the best 2009.  This type of list is different than your average Top 10 because talent, skill and finished product aren’t necessarily relevant.  We are not judging who is the best but who made big moves, accomplished feats or generally had a positive year.  That being said, here is who we felt had the best year and why we felt that way.


10. Jay-Z


Jay-Z’s 2009 album, The Blueprint 3, reached number 1 on Billboard’s Top 100.  This was his 11th album to accomplish that feat and this album actually pushes him ahead of Elvis Presley for the most number 1 albums on said list.  That accomplishment is enough to make a great year but he also lead a very successful international tour and was named MTV’s “hottest emcee in the game”.


9.Eminem


After taken 4-5 years off between releasing solo Cds, people had begun to wonder if he would ever come back.  And in 2009, he came back, hard! Relapse sold over 600,000 copies in its first week further distancing him as the best-selling album of the decade.  It also brought in 3 Grammy nominations for the upcoming awards in January.


8.Wiz Khalifa


Although he does not have the awards to match the previous two, Wiz’s 2009 was definitely a victory for the little guy.  After having a more than disappointing stay as a Warner Brother’s artist he was able to cut ties and released an album independently.  Having garnered a loyal following through the internet and releasing a dope mixtape with his homie Curren$y, Deal or No Deal actually reached number 1 on iTunes hip hop charts when it dropped.  If that isn’t reason to celebrate, I don’t know what is.


7.Curren$y


Similar to his partner in flight up above, Curren$y was also able to get out of his poor situation as the back burner of a major record label.  The hard work of 2008 (releasing 7 full mixtapes) paid off in 2009 as he sold two successful Internet albums: This Ain’t No Mixtape and The Jet Files.


6.Brother Ali


Putting out one critically acclaimed and generally well accepted hip-hop album is a difficult task, now try doing it twice, now try doing it twice within the same calendar year.  If you got that done, then you and Brother Ali have something to talk about because his The Truth is Here and Us are both amazing.


5.Wale


Hailing from DC, Wale was trying to make it big as well as pave the road for fellow DC natives to crack into the mainstream.  He released a very good mixtape in Back to the Feature and followed it up with a very impressive debut album, Attention Deficit.  Although his first week sales were relatively disappointing (only around 28,000) it is said that Interscope Records drastically under shipped the album (35,000!) so everything considered his numbers weren’t as bad.  Remember that it took Jay-Z’s Reasonable Doubt 6 years to go platinum.  Wale was also the musical host of MTV’s 2009 MTV Music Awards and opened for Jay-Z on his Blueprint 3 Tour.


4.KiD CuDi


In a day and age where most up and coming rappers choose to flood the internet with freestyles, mixtapes and guest spots, Kid Cudi chose instead to produce quality over quantity.  With only one official mixtape to his name, he found himself co-headlining a summer tour with Asher Roth, opening for Lady Gaga on her upcoming tour and receiving 3 Grammy nominations on his debut album. He has also been filming for the upcoming TV show, “How to Make it in America” in which he has a major role.  Cudi’s hit “Day N’ Nite” was all over the place and you couldn’t turn on any radio station for a few months without hearing “Make Her Say.”


3.Joell Ortiz


Joell Ortiz used 2009 to maintain and expand a successful solo career while jumpstarting a supergroup, in which I feel Joell outshined his fellow members a majority of the time.  Joell put out numerous great mixtapes this year while also blessing the hip hop heads with freestyles throughout the year where he spit it so well you wished he originally put that single out.  Slaughterhouse joined the Rock the Bells tour and was very successful as well as releasing their debut album.  Overall, musically, 2009 was Joell’s best year to date although with The Free Agent due out in 2010, we will have to wait and see if it remains there.


2.Gucci Mane


IT”S GUCCI! This guy was literally everywhere between all of his major features, MTV’s #6 “hottest emcee” spot, every blog that posts mixtapes and most blogs that don’t post mixtapes.  Gucci Mane blew up this year culminating in his major record label debut, The State vs. Radric Davis. He released his “Cold War Series” containing 3 mixtapes, each with a different DJ, which dropped on the same day.  He appeared on Mario’s album, Trey Song’s, Omarion’s, Wale’s, Young Money’s, Juicy J’s, Jamie Foxx’s, you get the point.  He was out there hustling and grinding all year and he has received a major portion of the spotlight because of it.  Like his music or not, there are plenty of people who want to hear it and he doesn’t seem to be going anywhere, except possibly jail – but that never stopped him before!


1.Drake


If you are reading this, it means you are old enough to have listened to music during the summer of 2009 which means you heard his smash hit “Best I Ever Had” which for a while, I am pretty sure, was the only song they were allowed to play on the radio here in San Francisco.  Jokes aside, Drake has been blowing up all year, reaching new heights every day.  For instance, his EP So Far Gone sold 100,000s of copies after being released as a free mixtape a year earlier.  After signing with Young Money, his verse on “Every Girl” stole the show and he also held his own on a track with hip hop heavyweights Eminem, Lil’ Wayne and Kanye West on “Forever.”  He even received 2 Grammy nominations without an actual album.


There you have it, our list of who had the best 2009? Make sure to check back tomorrow for the Top 10 Mixtapes of 2009 and Thursday for the Top 10 Albums of 2009.  Until then, discuss below!



[Via http://da-what.com]


Monday, December 28, 2009

Royce Da 5' 9" - Drop the World


I’m happy he went in on this beat, because I was lookin for an excuse to post the original on here even though it’s now a few weeks late.. But damnn, this is no excuse. Royce damages this beat!! He might have hit it stronger them Em or Wayne did. I don’t even know right now. Who you voting on??


WARNING: Beats getting all murdered up!!!


(The first is Lil Wayne’s ft. Eminem, the second is Royce’s round)




Download: Lil Wayne ft. Eminem – Drop the World


Download: Royce Da 5′ 9″ – Drop the World


-daNk



[Via http://anotherdankidea.com]


Saturday, December 26, 2009

DJ Whiteowl - Whiteowl Drop That 98 Mixtape

Stream: Stream Now


Zipped: Download Now

Torrent: Download Now


front


1.Lil Wayne Ft. Drake,Jae Millz, Nicki Minaj, Gudda Gudda , Tyga, Mack Maine, Lil Chuckie, Lil Twist &


2.Lil Wayne – Exclusive


3.Lil Wayne Ft. Drake – Pass That


4.Styles P , Capone & N.O.R.E, Raekwon The Chef & Alicia Keys – New York (Remix)


5.Fabolous & Red Cafe – Muthafucka Im Ill (Hot !!!)


6.Nas – Help Somebody


7.Dmx – Till Im Dead


8.Eminem – My Music Box


9.Busta Rhymes Ft Game – Breakin The Rules


10.Grafh – Im Sinning Again


11.Lloyd Banks -Freestyle


12.Lloyd Banks – Freestyle


13.Jay Bezel Ft Castro & Var Money – Tru Dat (Exclusive)


14.Lil Wayne Ft Young Money- The Streets Is Watchin


15.Lil Wayne – One Way Trip


16.Young Jeezy – Freestyle


17.Gucci Mane & Big Boi – Blockers


18.Gucci Mane & Woo Da Kid – Volume


19.Game – Turn The Lights Off


20.Www.Whiteowlthat.Com


21.Lil Wayne Ft Young Money – That New Shit


22.Quic & Teaz – That


23.Papoose Ft Quic & Teaz – Staten 2 Bk


24.Young Money – Where’s Wayne (Hot !!!)


25.Lil Wayne – Ms. Parker


26.Gucci Mane – My Enemy


27.50 Cent – 1999


28.Eminem – 1999 Pt 2



[Via http://bigtopnumbers.com]


Friday, December 18, 2009

OBAMA BRINGING SWAGGER BACK INTO HIP-HOP

Looking back at the year 2008, one cannot but be proud to be a black man. The black race formally thought of as the inferior race or notoriously called ‘Nigger’ showed last year that they were the exact opposite, and were infact the rulers of the world. Unless one was shackled up in Mars, one would have noticed Jamaican Usain Bolt jogging to the new world record, Lewis Hamilton winning the Formula 1 title, Tiger Woods continuing his domination of golf, Nigerian Samuel Peter winning and losing the WBC title and actually seeing rap albums record platinum sales which in this case means Lil’Wayne The Carter III and TI’s Paper Trail. Except in actual fact, you were honeymooning in Mars would you not have noticed that a major historical feat achieved by a black man in 2008 was not included above and that is Barack Obama emerging as the 44th and the first African-American President of the United States of America.


The election itself was historical as the turnout vote was the highest in generations and maybe a century with voters defying the long queue and weather to vote for their candidate. Also, in the election, the President-Elect, Barack Obama managed to energize a new voting bloc of young people who were rather political apathetic with interests ranging from gang-banging to doing drugs. Looking critically at the Barack Obama’s presidential victory, it wouldn’t take apolitical analyst to decipher that a huge chunk of support emerged from the hip-hop family. For like the first time, hip-hop artistes whose efforts at social responsibility were pet projects varying from saving the environment to sheltering homeless kids all turned their microphones and lifestyles politically, lyrically and financially to put Obama into the White House.


This was not the first time that music has been involved with politics. In the 1950’s to 60’s, rock and roll influenced lifestyles, fashion, attitudes, language and may have helped the cause of the civil rights movement because both African American teens and white American teens enjoyed the music. The music-politics romance went on to the 70’s to 80’s when Jamaican reggae legend Bob Marley through his music spread his political message worldwide. Not to be excluded, Nigerian Afro beat legend Fela Anikulapo Kuti also incessantly made his views on the state and actions of the Nigerian government known all through his lifetime which ended in the mid –nineties. However, in the 90’s, there seem to be a political apathy by musicians who were rather commercially inclined. Their message bordered on the good life which included selling drugs, chasing skirts and making loads of dough. There were some exceptions like Tu Pac who tried to make his views known but got his life cut short by being involved in violent musical rivalry with Notorious Biggie who met the same fate. The romance music and politics rekindled in the early part of this decade during the Bush Administration. First off the block was Diddy, who was one of the ambassadors of the ‘Vote or Die’ maxim which proved a lot popular amongst the apathetic youthful crowd and even gingered some of them to vote. During the unpopular  President Bush’s reign, some musicians did not hide their displeasure at his policies. Eminem lyrically dissected Bush’s Iraqi policy with his track titled ‘Mush’ and the ever controversial Kanye West veered off- script on a live national TV broadcast accusing Bush on hating black people during the aftermath of the Hurricane Katrina disaster. Like rookie superheroes that were just discovering their powers, potential and influence over their fans. With fans numbering to the millions, they had become opinion leaders and shapers. All that was remaining was an outlet to channel that power, a direction they clearly lacked until Senator Barack Obama came along.


Immediately Obama declared his intention to run for president, the whole hip-hop machinery came alive. All of a sudden, there appeared to be a very thin line between politics and entertainment. Major entertainment moguls and artistes like Oprah Winfrey, Diddy, Beyonce, Jay-Z all threw their weight behind the then Senator Obama. Alongside Obama’s campaign Chief Axelrod, the artistes vocally supported Obama in their lyrics; they even wore shirts that either carried Obama’s face or his popular catch phrase ‘Yes We Can’. Black Eyed Peas member, Will.I.Am made a video titled Yes We Can citing the reason because he was inspired by a speech Obama made in New Hampshire and implored schools to teach the speech as part of their curriculum the same way speeches by Abraham Lincoln and Martin Luther King have been used to inspire young people over time. The publicity and support was so much that even the average drug-peddler on the street knew that Obama was change even if he didn’t believe Obama, he believed whatever Jay-Z or Lil’Wayne would have probably said about Obama. Black Entertainment Television (BET) was so vociferous in their campaign that should have been rechristened Obama Television. During the BET awards, artiste upon artiste solicited for votes and commented on the need to make sure Obama got into the White House. The Obama mania got so intense that artistes who used to be controversial in nature all cleaned up their acts; Young Jeezy whose music subject matter ranged from selling drugs to women released an album titled The Depression that has sold above gold. Songs in it include Put On and Crazy World where the support for Obama was evident for all to see. Even as far as Nigeria if rumors are to believed, Eedris Abdulkareem is planning to release a six-track album and is said to be in conjuction with Professor Pat Utomi and a couple of very important personalities and organizations in Nigeria.


At the Game’s MAMA performance at Planet 1, hot sensational MI was seen sporting an Obama Tee shirt and even in the news a popular member of the Nigerian government was involved in a plot or scam to raise money for Obama. Back to the States, the influence of the celebrities was so much that on election day, stars like Oprah, Jay-Z, Diddy were all told to steer clear of polling booths so as to not influence voters who had not made up their minds not that it matters anyway as Obama still emerged victorious. After the elections, an incredible fact showed that just by her own, Oprah Winfrey was able to generate more than 1 million votes for Obama; a fact that ensured that she jumped from number 6 to number 1 on the U.S based newspaper, The Hollywood Reporter “Power 100 List making her the most powerful woman in entertainment”.


It would be foolhardy to think that Obama got all these support because of his skin colour. It is far from that as he actually epitomizes hip-hop. Viewing Obama from a distance, you would realize that he’s got swagger. Even though he was a book-worm as his credentials showed, he looks like he’s got street credibility in him. Call it a campaign stunt or not but Obama attends the right events, dress well, speaks well. Early on in the election race, Reverend Jesse Jackson, a formal black U.S Presidential aspirant made the mistake of disproving Obama’s presidential aspiration and got the raw end of beef in the black community. Always one to speak his mind, Game dissed Jesse Jackson in his emotional track My Life saying “F**k Jesse Jackson cos it ain’t about a race now”. That example showed that the hood is ready to protect Obama as one of its own and Obama returned the favour late last year by when he lent a kind word and commiserated with Kate Hudson on the tragedy that befell her family. The zenith of Obama’s hip-hop credibility showed just before he was announced winner. Instead of being soaked in tension, Obama took time out and went to play a game of basketball  with his guys. Talk about nerve!


The implication of this feat by Obama on hip-hop is boundless. First of all, the victory has managed to demystify the corporate white America’s powers. The victory would most likely impact on the type of music that would now be made by musicians. Instead of waxing lyrics on black oppression, hating Uncle Sam, messages behind songs that would now be released might bother on nation-building, one love and overall support for the presidential office. Now the entire black race would not see themselves as second class citizens or the oppressed. Artistes who used to be overtly controversial would most likely want to clean up their acts because nobody would want to be scorned by their big brother who’s in the White House or is it now the Black House? The will and zeal to please and not disappoint would be at an all-time high as evidenced by musicians tripping all over themselves to perform at Obama’s inauguration and swearing-in ceremony. If anything is to be believed, it is that the Obama victory has definitely brought swagger and belief back into the hip-hop community.



[Via http://9jablast.wordpress.com]


Wednesday, December 16, 2009

[hiphopNEWS]: *Lil Wayne & Eminem* Track off of ‘Rebirth’ {Leaks to the Net}, *Fans React to Chris Brown* {Deleting his Twitter Account} Dec 2009



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NEWS: Lil Wayne & Eminem Track off of 'Rebirth' Leaks to the Net, Fans React to Chris Brown Deleting his Twitter Account
Author: Zenn Posted on 24hourhiphop.com

Lil Wayne & Eminem Track off of ‘Rebirth’ Leaks to the NetJust when you thought the impossible could not be possible. At one point in time, fans thought that Eminem and Lil Wayne would never be heard on the same track, and then Drake drops a bomb with a track entitled ‘Forever’ and included heavyweights Kanye West, Lil Wayne, Eminem and shocks the entire world. On the real, many people have confirmed, Em murked the last verse and that’s when we knew that the real Slim Shady has returned. Now another track has emerged and eventually leaked to the net. Lil Wayne has reached out again to the Detroit MC and requested his assistance on the track Wayne has entitled ‘Drop the World.’


And truth be told, the track is phenomenal. I don’t say that too often on a lot of tracks unless they really are a true bangers. Let’s just say both artists go in on these haters with back to back verbal assaults. The beat itself has an angry tone adding fuel to Wayne’s verse and complimenting Em’s unique style fluently. The production is definitely something that Em normally spits on and he completes this one quite well.


Atop a subtle beginning before the beat prepares its pump towards the chorus, Wayne begins calmly like spoken-word poetry with the verse:


“I got ice in my veins/Blood in my eyes/ Hate in my heart/ Love on my mind/ I seen nights full of pain/ Days of the same/ You keep the sunshine/ Save me the rain.”


As the chorus line begins to seep in, guitars begin pumping more adrenaline into the beat as Wayne spits the hook:


“Bitch, I’mma pick the world up and I’mm drop it on your fuckin’ head!/ I could die now/ Rebirth, muthafucka/ Hop up in my spaceship and leave Earth, muthafucka/ I’m gone.”


Anticipation begins to rise as Eminem kicks in the third verse, you already have the idea in your mind that he was going to murk this one either way, he begins singing a subtle verse before transitioning into a more anger fueled delivery, much of what he’s known for, those spitfire lyrical flows. In his verse, if you listen, he states that he single-handedly changed the game and challenges anybody that doubts him:


“It hurts but I’ll never show/ Cause pain you’ll never know/ If only you could see how lonely and how cold/ And frostbit I’ve become………


I’mma make these fuckin’ haters believe/ I’mma fuck around in this bitch and roast everybody/ Sleep on me, that’s where you head’ll lay/ Permanently, bitch/ It’s beddy-bye/ This world is my Easter egg/ Prepare to die!”


He continues on, what the verse is seriously diabolical. Either way you get a hold of the track, this is something you have to add to your iPod or track collection. Trust me on this.


At press time, Lil Wayne is preparing to attend his court date sometime in February of next year to receive his one year prison sentence for gun charges. Around the same time, his latest album ‘Rebirth’ is also slated to drop. However, Eminem’s Relapse: Refill has been officially scheduled to be released on December 21 alongside Young Money’s debut compilation ‘We Are Young Money.’


Fans React to Chris Brown Deleting his Twitter Account


Social Networking has risen to an all time high as the years continue to pass. This year alone, Twitter became one of the most used services on the net by practically everyone. Between celebrities, artists, execs, and fans, the whole world has literally flocked to twitter as their main source of instant news feeds. Fans indulged as their favorite artist or celebrity ‘tweeted’ their every single move. I’m not quite sure why it was so important to know that your artist was at Wal-Mart or at home getting drunk. Either way, people loved the ingenious idea of twitter.


R&B vocalist Chris Brown, however, wasn’t too partial by the recent barrage the media and the fans were giving him about his comments to the industry when he stated that they could all ‘kiss his ass.’ Now this isn’t the first time his comments on twitter have gotten him in trouble, some time ago he once called Jay-Z a ‘cornball,’ yet another comment the media quickly picked up on. We all are aware that twitter was made for your personal comments and a place where you can let off steam, so why regret and retract everything you said let alone delete your account, when you know the whole world is reading your comments anyway. It has been reported by several media outlets that Chris Brown has apparently deleted his twitter account for reasons of personal frustration. It seems as though a lot of his fans weren’t too happy by his decision.


Fans responded to MTV News about their reaction to his decision on deleting his twitter account which millions were following:


“I don’t think he should have done it. The media is basically backing him against the wall. Yes, for the incidents that happened, he did it, he owned up to it. But it’s been invading his life. Twitter is supposed to be casual, make new friends, put your thoughts out in the air, just have fun. Everything that he texts, [the media] is turning around and making it bad, and he’s not a bad guy.” – Brittany Mack, 23


“I think for the younger generation, we would understand the frustration, the things he’s talking about, but TMZ and the media is going to take a spin on that. I was depressed; the only reason why I made a Twitter was because Chris Brown made a Twitter. He was the first person I followed, and then when he deleted his Twitter, I was going crazy.” – Kendra Payne, 18


It’s quite interesting how this one little thing has caused a wave of other fans commenting on other celebrities that should follow in the steps of Brown and delete their own twitter. Why read comments made by them, if they annoy you is all I’m asking?



More Hip Hop News

[Via http://jb100159.wordpress.com]


Monday, December 14, 2009

Sherry Sekhon - FIVE QUESTIONS WITH DJ GREEN LANTERN

Proclaimed the master of the mix-tapes, NYC Hell’s Kitchen Italian bred James D’Agostino’s more popular spin avtar DJ Green Lantern is all about beat supply. Single handedly responsible for giving Eminem the bitchin’ beat to slam to, post his resident DJ gig with the white rapper boy, DJ Green has been making noise live for Jay Z, Busta Rhymes, Nas, Fort Minor, Immortal Technique and 50cent. On his India tour as part of the VH1 Hip-Hop hustle, DJ Green made his maiden trip to the nation. We managed to spin off 5 questions with the man.



So what’s with the mixtapes in the era of remixes and electronica. Why the niche?


I like beat box. I’m the original street hustler, do you know what I mean. I started going to clubs as a stiff kid and was on the college radio handling the spin for them. I went national in 2000 and took my mixtapes on tour through Europe and even made to Japan. It just happened to find me the tapes. Because of that, I keep getting work for artists and rappers to DJ and mixtapes for them live. So I am loving it. No complaints.


You made it big by being Eminem’s resident DJ. But you had a fall out with him?


Well I ain’t gonna lie. I got more work after Eminem and people started coming to me for live and production sound. So yeah I owe the break into the main league to him. But he don’t define me and my work. The fallout was with the label, Shady Records and not him. We are still in touch. He helped me take out my own mixtape album. But it’s sometimes differences in opinion which get you to places.


What has been the best gig you ever played with a famous artist?


It’d have to be with Jay Z. We were in Tanzania and spinning to a crowd of some 10,000 brothers. The security was not much beefed up. So this guy climbed onto the stage and was approaching Jay. The man’s white bodyguards walked on stage, in the middle of the song and pushed the man back into the crowd. There was chaos and then Jay Z did the funniest thing. He stopped singing, cut the music and just said, “You shouldn’t do that. Hit it Green,” and just that like the  music was back again. It was hillarious and the best time in concert I’ve ever had.


Are you clued into what Indian audience likes?


I have an idea. I got a lot of Indian friends back home. So they keep feeding me on what’s new with the scene. It’s my first visit and I am here to entertain. I’ll do anything to make the crowd go mad. So I do have a lot of my tapes with me. I know for a fact that the


Immortal Technique song Bin Laden has gotten a lot of hits online from India. So I’m excited about playing that track. It’s a song that I cowrote with Immortal which blamed the Reagan Doctrine and George Bush for 9/11.


We also heard you are into acapella?


Yeah man. I love to sing and there be a whole new reawakening of grandfather soul. Putting that on mixtapes is loads of fun. I am planning to do choirs, chambers and ranger clubs to be recording and ripping. It adds great influence in a rap track.



[Via http://theelektrician.wordpress.com]


Saturday, December 12, 2009

Mentoring in the music industry

I have always followed music both from an auditory sense as well as the impact of its stars on the rest of the genre. With this context, one of the reasons I have been a fan of hip-hop is its ability to get music of non-commercially produced stuff (yet!) out on the streets. Also, the level of mentoring that happens in the genre is unprecedented. Whether it was Dre discovering Snoop in a mixtape or Eminem at an interview or even Jay-Z giving Rihanna and Kanye West the chance to shine (I think Kanye West really sucks but he IS successful). Or even when Eminem got 50 Cent on board and has been pushing his old pals D-12 on to the limelight (dragging them along is more like it. While guys like Bizarre and the late Proof are talented, they really never got their real shine in the spotlight).


Now in my other favorite genre, Trance, (it’s one of the few genres that I really like the commercial producers or rather, the top-rated DJs rather than just the underdogs) never really came up with that kinda support for its up-and-coming artists. Except now. In a recent note on his website, Tiesto talks about the DJ Top 100 list where he says:


It’s a big thing for most of the promoters and most of them will book DJ’s that are high on this list. That made me think, because if that’s the case the voting is important. Especially to breed new talent.


There are so many new great young DJ’s out there that I feel it’s time to give them a chance. I appreciate all the love and support I get from all over the world but I won this award three times so if I would win it a fourth time, it wouldn’t make a difference for my career.


For the new talented DJ’s around the world it could make a difference, so I would like to ask all the people who support me to vote for new talent.


A lot of people think that Tiesto has gone old, repetitive and basically not killing it like he used to do with “Traffic”, “Flight 643″, or “Just Be”. But this statement does generate a lot of hope for the new guys on the trance and house block



[Via http://braindumped.wordpress.com]


Thursday, December 10, 2009

Eminem and Simon & Garfunkel mazes by Yontan Frimer

Simon and Garfunkel Maze created by Yonatan Frimer

Simon and Garfunkel Maze

Simon and Garfunkel Maze

To see more mazes by the same artist, visit:

http://teamofmonkeys.com or http://inkblotmazes.com


If you’d like to buy prints of mazes, click here


Eminem Maze Portrait – Marshal Mathers

eminem maze marshal mathers portrait


To see more mazes by the same artist, visit:

http://teamofmonkeys.com or http://inkblotmazes.com


If you’d like to buy prints of mazes, click here


Celebrity, artword, celebrities, portraits, famous,  Portait maze of albert einsteinbarak obama maze by maze of mazes artist yonatan frimer


pool maze 001



To see more mazes by the same artist, visit:

http://teamofmonkeys.com or http://inkblotmazes.com

If you’d like to buy prints of mazes, click here




Photography PrintsArt PrintsSell Art Online



Eminem and Simon & Garfunkel mazes by Yontan Frimer

Maze-A-Delic  2006

Maze A Delical


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Maze of Grant Wood’s American Gothic

Maze of Grant Woods' American Gothic art masterpeice



[Via http://mazesgamespuzzles.wordpress.com]